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Not Settling into Certainty
Read more: Not Settling into CertaintyVienna is approached here not as a backdrop, but as a historically trained surface. A city that has learned to host contradiction without resolving it. That is precisely why it has been favourable to dissidents, exiles, thinkers, and quiet refusers. dissident /ˈdɪsɪd(ə)nt/a person who opposes official policy, especially that of an authoritarian state Core premise This project translates inherited…
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Not About Perfektion
Read more: Not About PerfektionTechnical issues in images are not only welcomed. They should not be avoided in the pursuit of perfection. Perfection belongs to studios, to controlled light, to repeatable conditions. The street cannot carry that weight. It would break under it. The street is not designed to be flawless. It is designed to be lived. Blur, missed…
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Vienna-specific Project Mapping With All Illustrations Removed
Read more: Vienna-specific Project Mapping With All Illustrations RemovedVienna as Trace. A city read after it has already happened 1. Ontological ground. Vienna as palimpsest Literary framework: phenomenology, deconstructionKey thinkers: Martin Heidegger, Jacques Derrida Vienna is encountered as residue rather than presence. Historical layers coexist without synthesis. The city appears as something that has already withdrawn. Applied to photography: Operational rules: 2. Intertextual…
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Artist statement | Vienna as Trace
Read more: Artist statement | Vienna as TraceMy photographic practice is grounded in literary science rather than in visual representation. I approach photography not as image-making, but as a form of reading and writing the world. The city functions as a text. The photograph functions as a trace. Drawing on phenomenology and deconstruction, particularly the thinking of Martin Heidegger and Jacques Derrida,…
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Text and Image: Parallel Interpretations on Ontological Bases
Read more: Text and Image: Parallel Interpretations on Ontological BasesKey Concepts 1. Ontology of the photographic image. From being to trace Core literary sources: phenomenology, deconstruction Key thinkers: Martin Heidegger, Jacques Derrida In literary ontology, the text is not a stable object. It is an event of appearance, withdrawal, and différance. Meaning is never present in full. Applied to photography: Operational principle: Photography becomes…
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All Images Begins as a Written Text
Read more: All Images Begins as a Written TextEach of your images begins as a written text. Not as a caption added afterwards, but as an internal script that precedes the act of seeing. The photograph does not illustrate this text. It translates it. The writing is not descriptive. It is structural. It sets conditions, tensions, and exclusions. Like a sentence before it…
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Generated Text and Indexical Photography as Full Capitulation
Read more: Generated Text and Indexical Photography as Full CapitulationGenerated text and indexical photography meet at a point of surrender. Not a collapse into meaninglessness, but a yielding of authorship, intention, and mastery. Each abandons the claim to originate meaning and instead accepts its condition as trace, imprint, residue. Indexical photography has always already capitulated. The photograph does not argue. It attests. Light touches…
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Temporal Unfolding And Temporal Arrest
Read more: Temporal Unfolding And Temporal ArrestThe temporality of language and the temporality of photographs intersect in subtle but revealing ways. Both are media that organise time. Yet they do so according to very different logics, and it is precisely in their tension that much of their interpretive power emerges. Language as temporal unfolding Language is intrinsically temporal in its operation.…
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3 minutes. One site. One atmosphere.
Read more: 3 minutes. One site. One atmosphere.This project investigates street photography as a practice of trace rather than capture. Each photograph emerges from a fixed three-minute presence at a single site. The duration is strict. The position is fixed. Movement belongs to the street, not to the photographer. The project operates through an inversion of classical street photography logic. The photographer…
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Poetry of the Language
Read more: Poetry of the LanguageSaying that poetry is the most intimate approach of language places poetry at the point where language stops being primarily a tool for communication and becomes a form of presence. In everyday speech, language is used to convey information, to explain, to persuade, or to function. Poetry shifts that purpose inward. It treats language not…